Footnotes to Plato … and others

Methods

What's in the index, and how to read it

Footnotes to Plato (and Others) shows how modern scholarship cites five ancient authors — Homer, Pindar, Plato, Aristotle, and Paul. The basic idea is very simple. These ancient authors are not cited by page-number, which vary across editions, but standardized passage-numbers or even line-numbers. This makes it easy to machine-search a corpus of scholarly journals for citations, and count their distribution over time.

This page explains in detail what the index covers, how citations were detected and placed, what the resulting numbers can and cannot be made to say. Every figure is checkable against thepublished derived data.

The corpus#

The underlying data was provided by JSTOR's Text Analysis Support. I am very grateful for their support. We got 69,177 articles across 48 journals, spanning 1827–2022. Because the text arrives page by page, every citation's position within its article is known. Citation strings appear verbatim in the text (PLAT. MEN. 80D5, Il. 1.5, Rom 8:1). This means no tokenization would corrupt them. Often, when we do computational text-analysis, text has to be 'tokenized'—broken down into computer-digestible chunks. But here, we did not have to do that; we could simply search the full text for patterns that match the canonical citation standards for Homer (Il./Od. Book.line), Pindar (Ol., Py. Ne. Is. + line), Plato (Stephanus number), Aristotle (Bekker number), Paul (chapter:verse). In each case, we accounted for variations on those standard patterns: capitalization, Roman vs Arabic numerals, longer or shorter abbreviations, and differences across languages—English, French, German, Italian, Latin, Greek.

The journals fall into three fields, which the filter panel in Viewers A and B lets you select and compare:

The filter panel of Viewers A and B is the fastest way to get a sense of the full list.

Some caveats Note that the corpus excludes monographs, edited volumes, commentaries, and journals outside the JSTOR delivery — including, sadly, such Heavy-weights as Oxford Studies in Ancient Philosophy. Coverage skews Anglophone, although it includes some German, French, and Italian journals. It includes also book reviews, which provides a small window onto monographs. Treat the tool as a large sample of various fields' attention. Absence of evidence of scholarly attention should not be read as evidence of absence.

Coverage is also uneven over time. The journals are not evenly spread across the span: the pre-1950 decades are very thin. Output climbs steeply from the 1960s. Well over half of all placed citations fall after 1980. A flat or empty early stretch in a time chart reflects how little was published and digitized then, not a drop in attention.

And two small caveats.

The three viewers#

From text to placement#

Citations reach the index in two forms, resolved differently:

One important distinction here is between a work that is cited and one that is mentioned: the index here is of citations, not mentions. Also, for Plato & Aristotle, how well a work resolves is a property of its page range, not its importance. Crito resolves at a lower rate than Republic not because it is neglected but because its Stephanus range happens to overlap with other dialogues.

Non-citation content — back-of-volume indices, publication years, references to other authors — is removed before placement.

Floors, not totals#

To illustrate the issue of detectable-but-unplaceable citations, in the cases of Plato and Aristotle, consider the below graph. Solid bars are floors, fades indicate citations that could belong to a work, technically, given its numeric range, but could also belong to others, and therefore could not be placed with confidence.

The fade is deliberately multi-counted — a bare 80b that could be Meno, Phaedo, or Timaeus is counted in the fade of each — so it is an honest per-work upper gesture ("attention here could be this much more"), but a quantity that must not be summed across works. Read a long fade as "much of this work's traffic could not be placed," not as evidence that the work is little studied.

Every text in the corpus, ranked by its confident floor, with the fade drawn to scale beside it — the full version of the sample on the home page. Bars are coloured by author; hover a row for its floor, distinct articles, and collision partners.

Anaphoric citation#

For Homer, Pindar, Paul, the script relies on work-name abbreviations to place a citation: e.g., an Odyssey book + line number (12.432) needs to be preceded by "Od." to be recognized by the script as an Odyssey citation. Of course, many articles practice anaphoric citation: the primary text is cited the first time, and following citations are given by book + line number only, or even just line numbers. We ran several statistical tests to see if the non-capture of anaphoric citations introduces systematic biases in the data (e.g., towards textually earlier passages). A combination of seven tests suggests that this is not the case. It does not bias the distribution of the citations (across passages, periods, or disciplines); it only lowers the absolute counts somewhat for these three corpora. Here as everywhere, numbers should be read as floors, not totals. See here for the full tests and figures.

See here for the full numbers.

Solid is what we could place with confidence; fade is detected-but-unresolvable traffic that could belong to this text, shared with its collision partners — an upper gesture, never a subtotal, and never summed across texts. A short solid bar with a long fade (like Timaeus or Apology) means "much of its traffic couldn't be placed," not "little studied." The fade is almost entirely a Stephanus (Plato) phenomenon: bare Stephanus pages like 80b recur across dozens of dialogues, so a citation with no dialogue named is genuinely ambiguous. Bekker (Aristotle) numbers are mostly unique to one treatise, so Aristotle's fades are small; and Homer, Pindar and Paul name the work in the reference itself, so they have essentially no fade at all.

Within-work gaps: collision bands#

Some works are well-placed overall but have sharp local drops where a stretch of their pages collides with another work's range. These are marked as collision bands in Viewer B — a short note that a page range is under-counted relative to the rest of the text. The Laws IX–XII is the extreme case; most works flag none, so their passage shape can be read end to end. Absence of a band means no above-threshold pattern, not a proof of completeness.

Small-n works, and the Homeric proem#

A work — or a single passage — resting on very few citations should be read as an order of magnitude, not a precise count. The exact number is always available on hover. Relatedly, a few passages draw so much attention that they would flatten the colour scale for everything else (the opening of the Iliad is the clearest case); Viewer B's heatmaps scale their colour to the bulk of the data rather than to that single spike, so ordinary variation stays legible.

Grouping schemes#

Works. Viewer A lets you plot named sets of works — Plato (the 36 works paginated by Stephanus), Aristotle (the 32 paginated by Bekker), the Organon, the biological works, and so on. Of course, all these groupings (e.g, the developmentalist chronology of Plato) are controversial, are marked contested and off by default. Still, it seemed useful to offer a few convenient and conventional bundles. The full definitions live in work_groups.json.

Journals. Viewers A, B, and C group journals by field (Philosophy, Classics, Theology & NT), with the theology journals subdivided by discipline: again, a convenience for comparison, not a claim about where a journal "really" belongs. If you think I've miscategorized a journal, please do let me know!

Reading the passage itself#

Each passage in Viewer B links out to the text:

NB: this part of the tool depends to an extent on how these other websites work and might On occasion be a little buggy. I'll try to keep checking on it to keep it working.

Checking the work#

The derived data is published under CC BY 4.0. If you find an error, please tell me — corrections will be recorded and credited.

The pipeline, the analysis, and this site were developed with substantial assistance from Claude (Anthropic) throughout; responsibility for the methodological decisions is mine.